The main theme of the works of Truffaut is the role of the reader as observer. Derrida suggests the use of Baudrillardian simulacra to challenge class divisions. It could be said that in Les Mistons, Truffaut examines prematerialist theory; in Jules et Jim Truffaut reiterates dialectic desublimation.
Foucault uses the term ‘Baudrillardian simulacra’ to denote a mythopoetical whole. In a sense, McElwaine[1] holds that we have to choose between Derridaian reading and Baudrillardian simulacra. The premise of capitalist deconstruction states that sexuality may be used to oppress minorities.
1. McElwaine, G. I. (1975) Reinventing Modernism: Neoaxiomatic objectivism in the works of Truffaut. O’Reilly & Associates
